Plein Air Painting
A Tulane professor introduced me to Plein Air painting. While living in Florence, Italy, I used this technique of on-site painting as a way to document my many travels and adventures. I experimented with water-soluble oil paints, acrylic, and watercolor, and improved my speed, confidence, and technique
Barcelona
While living on the outskirts of Barcelona, I got to experience working with water-soluble oil paintings. This version of oil paint allowed me to enjoy the vibrancy and intensity of oil, while offering the fast-drying and less-toxic benefits of mediums more similar to acrylic. For someone who spent a lot of time traveling to nearby cities in France, the flexibility of this medium was very appealing.
Toulouse
San Francisco
Working on my direct painting pushed me to make quick, intentional decisions with my colors and brushstrokes. Often, I find myself lingering and waffling over decisions. With live painting, I often didn't have much time. With changing light, places to be, and busy crowds in popular areas, each brush stroke had to be intentional.
Brussels
While working with acrylics throughout my plein air process, I experimented a lot with underpainting techniques. I specifically love the use of analogous color underpaiting. I found that this technique created a level of contrast that increased the vibrancy and power of my colors.
Amsterdam
My understanding of color theory and atmospheric perspective also grew as I continued my journey. I learned how to create depth and dimension in my work by representing experimentation. And each painting serves as a preserved memory of that time, trip, or adventure.
